The Soundtrack
Deciding on the underlying soundtrack was next. My personal approach was to synchronize images and video to music, not the other way around. Figuring out which songs to include proved to be quite challenging. The songs had to fit the narrative. They also had to fit the intended audience. Herb being family, I sneaked in a third requirement for myself, which had the potential of complicating the selection process – that the video be a reflection of my perspective and personality.
I started gathering songs from my collection into a working playlist – serious songs, funny songs, slow, fast, pop, punk, rap, etc. The main advantage of compiling the list from my own music collection was that it had the immediate benefit of reflecting my personality. I listened to the songs one by one with the intent of eliminating them from the list. If the song did not fit the narrative, it was deleted. Too funny? Gone. Obscene language? Tra…no, not so fast. I decided that if the song fit the narrative and reflected my personality, I would figure out a way to make it fit the audience. It was an extra challenge, but if it meant getting the soundtrack I wanted, it was something worth striving for.
Then I got an e-mail…a mandate that I use “Chapel of Love” somewhere. Lovely. I quickly scribbled a second-grade type drawing of a chapel and a sun with eyes and a smile and sent it over saying that if that song was going to be used, they could say hello to this as the opening picture of the wedding video.
In the end, I had the songs I wanted which I then cut up and mixed together to form the soundtrack. I decided to relegate “Chapel of Love” to play while the names of the wedding party scrolled by in the opening credits. That seemed fair enough so I didn’t have to use the chapel scribble. That was when the next big issue came up. With the idea being “bride’s side, groom’s side, together pictures,” allocating for the songs while giving all three sections as equal an amount of time as possible, and figuring out convenient transition points between the songs, I ended up with a soundtrack over twelve minutes long.
I asked Herb if I should pare it down or if I should proceed. I already had an idea in my head about how it was going to work and I knew that to pull it off, the extra time would be necessary in order to give everyone a proper amount of screen time. I explained that to him and he was OK with the new timeframe. That was a relief since re-cutting the audio would have been a nightmare.
Laying Out Pictures
The next step was to lay out the pictures. Herb had conveniently split the scans into folders for each of the families. It was a matter of spotting pictures of bride and groom together and putting those into a separate folder. After another quick browse through the pictures, I made the decision that the pattern would go as follows: young bride family pictures, older bride family/friends pictures, young groom family pictures, older groom family/friends pictures, and then together pictures.
At that point, sequence and timing were the most important aspects. Panning and zooming the images would only come after I was satisfied with the way the images synchronized with the soundtrack. Since the photos were already organized into folders, importing and dragging appropriate images into the timeline seemed much easier. As Alton Brown says, “preparation will set you free!”
When I was satisfied with the image sequence for the bride’s portion of the video, I went ahead and did the panning/zooming. I felt that it was important for my personal psyche to feel like I was making progress. With the images panned and zoomed, one-third of the video had at least a “rough draft”
Another visit from the bride and groom yielded some video clips from the bride’s side which were promptly cut up and swapped out with existing pictures already laid out wherever convenient and appropriate. I would’ve liked to have all the data at hand before even starting, but reality demands a lot of flexibility. Besides, it gave me the excuse I needed to show some video clips from the groom’s side of the family.
I must admit that doing Herb’s part of the video was a bit more fun. I was given access to old family pictures that I hadn’t seen in a long time. I also gave myself more comedic license for the section since if I were offending anybody with it; it would most likely be my own family and I’m almost totally ok with that.
When that section was timed to the soundtrack, laid out, panned and zoomed, it was time to move on to the next section — the “together” bits. Immediate caution flag — I was almost out of pictures! I pushed forward with as many as I could put down and alerted Herb when I had none left. They had a few glam shots taken for the wedding and I requested access to those.
While I was waiting for those pictures, I proceeded to work on the ending sequence, which in a very self-congratulatory way, I must say was quite brilliant. Full disclosure: the final result was not what I had originally planned but when I ran into limitations (both technical and intellectual), I had to concede to a less complex but incredibly elegant solution.
Spoiler Alert: Bruce Willis’ character was dead the whole time!!!
Sorry, where was I? Oh, right, together pictures. When those finally arrived, it was a matter of putting them down and blending the whole thing through.
Another viewing with both bride and groom and we were just about ready to finalize everything. I heard I missed a bridesmaid so there’s one picture to swap out but other than that, it’ll be a wrap. While I can’t post the video for all to see until after the official premiere at the wedding reception, I’ll be posting a 30-second trailer which may or may not be a good preview of the actual movie. Stay tuned!